Archive for the ‘Feehan’ Category

Man with an Accent & Romance Triggers

January 26, 2009
I’ve done a post before about audiobooks and how I mentioned that I prefer male narrators to female because of the way a man can (usually) cant his voice in a way that his female voice doesn’t sound ridiculous. It’s usually done with less emphasis on the narrator’s strong deep voice using a realistic falsetto. On the other hand, a woman narrator lowers her voice to achieve the male voice and it usually sounds too fake to my ears. In other words, a male narrator can swing both ways while a female can’t. Plus, I think a man’s voice is typically more soothing to listen to than a woman’s. 
In addition to what I wrote previously about audiobooks, I was elated to have received a comment from author Lori Foster because I had mentioned that I liked listening to her audiobook, Caught In the Act. She commented that while it was totally not what she had in mind for Mick’s voice, hearing a reader/listener’s POV was interesting.

In any case, I’ve been steadily collecting audiobook files from my local libraries and from online sources such as Audible.com. Which, by the way, is pretty much the go-to site for audiobooks. It’s pretty user friendly and compatible with pretty much all the most popular MP3s including iPod and I’ve happily tried out their free trial to get a sense of the site. If you like or are thinking about audiobooks, I suggest you google “Audible free trial” and see for yourself. 
I’ve listened to Lori Foster’s Caught In the Act, some Sherrilyn Kenyon’s Dark Hunters, Megan Hart, etc. Recently, I’ve just finished two books that I was very happy with. After I read and loved Christine Feehan’s new GhostWalker book, Murder Game, I was delighted to find out that it was also out in audiobook format.
I like the narrator Tom Stechschulte. He does a nice deep voice with a hint of a Southern accent. His female voice sounds a wee bit too high to be just right but it’s not bad. Prior to Murder Game, I listened to Stechschulte on another Feehan GhostWalker book, Mind Game. Same results. The “narrator voice” is nice and consistent pretty much all of the time. He gives the “hero voice” a nice alpha male deep quality though like I mentioned before, the “heroine voice” seems a little too high for my tastes. 

However, the recent audiobook I really enjoyed was Phil Gigante narrating Karen Marie Moning’s The Dark Highlander. I’m new to the series and The Dark Highlander was the first I read in the series about a month ago. I’m almost all caught up with only Kiss of the Highlander left in my to be read pile. 
I was very excited to see The Dark Highlander out in audiobook, though I was a bit weary. There are a lot of accents needed to pull it off and a good reading of all the faery/fey terms and languages. I read that many people enjoyed Gigante’s reading of the books and I wholeheartedly agree. 
He does a fantastic “alpha male” voice with accents that aren’t too over done but just enough to really put the listener into the mindset. His “heroine voice” was very pleasant to listen to as well. High enough to be decidedly female, but not too much where I think drag queen or a man who’s just been racked and lost all the testerone from his body. In the end, I was able to doubly enjoy the book. I loved it when I read it the first time around, but listening to it bought in another level of enjoyment. I will definitely be checking out the rest of the series. 
Audiobooks are just as personal as picking out a romance book. Not all romance works for everybody. And even those readers with similar tastes will differ in what triggers a good read. And fans (even the diehard ones) will disagree on what makes a particular book in a series good. So, I think that the first step in exploring the genre of Romance is to find out what triggers work for you as a reader.
I’ve had friends and people I’ve met at the local Borders ask for recommendations before. I always start off with, “Well, what do you like to read? A sweet contemporary romance, paranormal, action/adventure, etc?” And even if they answer “Paranormal” I will then go on to ask, “what kind of paranormal? Vampires, were-animals, time travel, fey, or combinations of many paranormal elements.”
Personally, I’ve come to recognize my triggers in what makes a good read and keeper copy versus a so-so romance. And it’s funny now that I’ve found out what works for me because I would never have thought that about myself. It really draws a line between a fantasy world in a book and the real world.
For instance, one of my Good Read triggers is the endearment. I’ve found that most (but not all) romances that I’ve come to really enjoy usually has the pet name element. I prefer the hero giving it to the heroine. Some Highlander/Historical romances include generics such as “sweet” or “love.” I’m also a fan of the “baby” though I think that sometimes an author can overdo that one. A hero really has to be written as a total alpha to pull off “baby” in my opinion. Like Ward’s fourth Black Dagger Brotherhood book and how Butch calls Marissa “baby.” Lora Leigh is also quite fond of that endearment. And given that all her males are alphas to the extreme, I think it works. This is a weird trigger (I readily agree), but for some reason, it works for me.
Another trigger for me is the Ball Buster heroine. It’s a Bad Read trigger for me. I won’t say that 100% of all the super strong heroines that can be categorized as a ball buster automatically became bad reads for me, but I’ve come to find out that authors usually have a hard time showing a vulnerable or softer side to that kind of heroine. Some are successful though, but not all and for that, I’m not a fan of reading a heroine that doesn’t show a softer edge. I can’t really connect with those characters. 
This came as a surprise to me because as a relatively young romance reader, (as opposed to the middle aged/married/moms that people think of as the Romance genre audience) I thought I would appreciate the strong female lead. But I learned quickly that there was a fine line to walk between strong and ball buster. And while I really appreciate a heroine that goes after what she wants, I don’t like one that doesn’t have a softness to them. 
Another Bad Read sign is a lack of conversation during the intimate scenes. Now, I’m not saying that I need the hero and heroine to have a full out conversation during sex. What I find visually boring, and therefore usually has my eyes skipping over parts, is reading a sex scene in which there are paragraph after paragraph (and sometimes page after page) of straight up description of the actions. I like/need words exchanged between the hero and heroine here and there. Little phrases, not conversations. Stuff like a hero asking a heroine if she likes what he’s doing or him verbally encouraging her reactions or praising her during sex. Without some conversation to break up the monotony of plain ol’ description. 
Finally, I wrote earlier in a review that the ultimate Good Read Indicator was the “how will this end happily?” feeling. It’s a tightening in my chest as I’m reading and even though I know that as a Romance book, it logically must end happily, a good author will write twists within the plot that make me wonder how that happy ending will occur. It is happening less often more me now that I’m reading so many romances these days, but I will admit that the feeling happens when I least expect it to. Like my post on Nalini Singh’s Slave to Sensation. I really didn’t expect to get that Feeling when I was reading a first time author’s introductory book into a new series. But I did. And I’m get the Feeling from authors that I least expect it from and sometimes, sadly, less from authors who used to give me the Feeling.
Like I’ve said before many a times, Romance is a vast genre to explore but a very personal one at that. And now, as I’m enjoying Romance on a new platform via audiobooks, I’m finding that listening to Romance is just as personal as reading it.
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Sexual Evolution

December 29, 2008
Christine Feehan’s books and I share a weird relationship. With her Carpathian series, I can’t stand them. And I really tried. 5 different (and completely read) Carpathian books. I just think there’s too much going on. There’s the vampire part (which is what drew me to them in the first place), but then there’s also this nature element with their connection and rejuvenation in the Earth, the animal connection, and everything that makes the Carpathians what they are. In the end, I feel like the series is a combination of too much and the darkness of the characters without a hint of any levity is too unbalanced for me. 

However, I do love the Ghostwalkers. When I first picked up Predatory Game, I was very hesitant about it given my past with other Feehan novels. But something about that particular book drew me in. I liked the characters more than the plot or setting and something about the alpha-male hero, Jesse, being in a wheelchair flared an interest in me. I then picked up the rest of the Ghostwalkers and enjoyed them. Some more than others, but overall, I felt like there was a definite shift in the writer’s voice from the Carpathians to the Ghostwalkers. So much so, that at times, I can’t believe that these two series came from the same author. 

The newest to the series, Murder Game, brings forth an author’s evolution within her own series. Not only is the book significantly longer than the others, but the pacing and feel of the book was different as well. Sex was much more prevalent than in the others and the hero, Kadan, felt like a meshing of the previous male Ghostwalkers. There is a lot of Jack Norton’s possessive drive that shows up in Kadan, perhaps more to an extreme this time around. 
However, there is also humor that seems to be lacking from some of the previous books. We see a lot of the other Ghostwalkers: Rye, Nico, Gator, the Norton twins, Tucker, and Ian with a strong emphasis on the first three men and also mentions of their wives with a short glimpse of Mari, Ken’s wife. Though to my great disappointment, there was the notable absence of our previous hero and heroine, Jesse and Saber.

Back to the evolution of the series. I found that sometimes, when authors are feeling out a new series, things not only get more complicated (as they should be), but sometimes the idea of sexual boundaries are pushed further within the series. With Murder Game, I was surprised to see the mention of oral sex written out so blatantly and early in the course of things. There was also a really hot scene where right after they finish, Kadan tells Tansy to “slide down my body and get me hard.” (Feehan, 242) There was just something so hot about Kadan telling Tansy that he wanted her again like that. I’ve not yet come across that request worded quite like that before even though I’ve read about 500 of these romances. Not only was there much more sex within this book, but things seemed more desperate and Kadan is much more possessive than what is to be normally expected of an alpha-male. 

I found that Kadan and Tansy’s courtship was swift in getting serious. Unlike with Nico and Dahlia where Nico was still trying to convince Dahlia to stay with him forever in the last chapter, Kadan really gets to business straight away. Within the first fourth of the book, Kadan and Tansy have already slept together and Kadan makes his lasting intentions known. But what was pleasantly surprising was Tansy’s acceptance of it. In addition, I liked how the heroine was not easily embarrassed. But she wasn’t the maneater, sexually out there, kind either. She realized early on that Kadan needed her physical touch, even in front of his teammates, and Tansy didn’t hesitate to let him pull her close or kiss her in front of others. Feehan walked a fine line there by writing Tansy like that, but it worked and I liked it. 

Murder Game is heavy on the characters; mainly, it’s connection between the hero and heroine instead of plot. I felt that the plot moved rather slowly up until the very end, where I felt like it was rushed, but there was a lot of repetitive scenes. There were many scenes with Tansy feeling the murder scene game pieces and getting sucked into other people’s feelings and darkness and then Kadan pulling her out of it, telling her that it’s too dangerous, and eventually getting rid of her nightmares with sex. The entire bulk of the book was like that. Tansy seeking out further clues about the murders and Kadan hovering near by protectively.

But when we reach the end of the book, where the Ghostwalkers go hunting, the killing of the murderers are done less than a page each. I felt like the conclusion of the book was too rushed. Instead of revealing bits and pieces of the plot’s conclusion, the reader was quickly pushed headlong into the ending. However, if you prefer the character connection more than the plot, then you will enjoy this one as much as I did. I think that the love evolution between Kadan and Tansy was very well written (given the characteristics of the male Ghostwalkers), though I can pinpoint many elements that appeal to my personal tastes and therefore why I’ve enjoyed this one so much.

The plot of the book, like I’ve mentioned, seems thin. There are murders happening both on the East and West coast and it’s apparent that the men who are committing the murders are enhanced and the Ghostwalkers are being blamed. To clear their name, Kadan seeks out Tansy who has used her psychic ability to track killers. But every time she handles the game pieces left at the murder scenes to dig out more clues to help the Ghostwalkers, Tansy gets a huge rush of dark emotions and most of the time, she can’t control the energy flowing into her. 
A continuity thread throughout the book are some personal descriptive words in certain situations. Eyes are repeatedly described with Tansy’s odd violet/blue eyes shifting from opaque to shimmering as a sign of her psychic abilities and Kadan’s dark blue eyes described as a part of the darkness within him. Kadan is the “Ice Man” with ice flowing through his veins, devoid of all warmth due to a traumatic event when he was a child. Tansy is always (and I do mean, always) described as smelling like cinnamon and it serves to be an aphrodisiac for Kadan which leads to a funny scene about the other Ghostwalkers teasing him about it. 
Like I’ve said, the bulk of the book is repetitive and the plot isn’t really all that exciting. I felt like the reason this book is longer is that the editor did minimum cleaning on the manuscript. A lot of so-called “extra” scenes depicting hero and heroine interaction that would’ve been cut from other books were left. Some of the scenes felt like a collection of “additional scenes” that an author would’ve posted up on a website as a bonus for readers. For example, while some books only have one scene showing some early morning/post-coital cuddling, Murder Game has a handful. If you like that kind of thing, you’ll love this book.

However, I don’t think the cover was done well. The main draw of the cover is the man’s face which really pulls your eyes to that graphic. First of all, the face doesn’t have enough angles to be Kadan. The graphic clearly shows a male with brown eyes while Kadan is repeatedly described as having blue eyes so dark that they seemed black. And the little sillhoutte of the climber didn’t fit in either. Yes, we first meet Tansy out in the wilderness but I don’t think the climber fits well into the book. A cougar or even just a depiction of the game pieces would’ve worked better. 

Ultimately, I liked this Ghostwalker the best because of its concentration to the couple pairing more so than the plot. But for those fans who are looking for a wild adrenaline-filled ride with bullets flying and whatnot will be disappointed with Kadan’s book. But if you like a male who recognizes his mate straightaway and his (slightly easy) acceptance of it, you’ll like this book. Murder Game is about connection and the characters falling in love when neither thought they would ever be able to be in a normal relationship with another person. There was something very sweet about Kadan’s mother hen tendencies. Well, if a mother hen looked and acted like a wolf. This book is a great reunion of the other Ghostwalkers and with a hint of humor that lights up this book where the others were a bit lacking. 

Murder Game is a must read for any Ghostwalker fan but those new to the series who expect more action might want to start with the others first. There are a lot of connective facts that were presented from previous novels that might confuse readers if read out of order. Fans of previous Ghostwalker heroes will be delighted to see a large role as secondary characters throughout the entire book.

4.5 out of 5: I give it a higher rating because it appealed to my personal tastes more than an universal romance audience. Heavy on hero and heroine connection while thin on plot movement.